Fans in Nostalgia as Rasha Thadani Dances to Mom Raveena Tandon's Tip Tip Bars Paani - Must Watch!

At the Zee Cine Awards, young star Rasha Thadani dazzled the audience with her dance moves to the song Tip Tip Barsa Paani by mom Raveena Tandon.

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Rasha Thadani

Photograph: (Source: News 18)

Audiences had already taken a particular liking to Rasha Thadani after her fiery debut in the song "Uyi Amma." The young actress's stunning dance performance to her mother Raveena Tandon's well-known song "Tip Tip Barsa Paani" at the Zee Cine Awards has captured the attention of viewers once more. Raveena Tandon, a Bollywood actress, previously won hearts with her sultry dances in the movie Mohra's Tip Tip Barsa Paani. Like Raveena in the original song, the actor wore a yellow thigh-high slit saree and had her hair in a high ponytail. Fans were reminded of Raveena herself by her performance.

A Word of Advice Raveena Tandon and Akshay Kumar featured in "Barsa Paani," which was part of the 1994 blockbuster movie Mohra. Due in large part to the lead pair's smouldering chemistry, the rain-soaked romantic number became one of the most talked-about songs in Bollywood history. Alka Yagnik and Udit Narayan sang it, and it's still a favorite among fans.

Rasha Thadani Lits the Stage:

An admirer wrote, "Raveena ma’am’s carbon copy." The second person said, "Second Raveena is here." Her performance was commended by a third, who wrote, "That’s so good." "She will make her amma so proud… she is the next big thing for sure," said another commenter. One person on Instagram commented, "Mini Raveena rocked @rashathadani." She would never be able to defeat the original Raveena, according to some others.

In the movie Azaad, Rasha made her Bollywood debut with Ajay Devgn's nephew Aman Devgn. Rasha's dance number Uyi Amma made her an instant star, even if the movie didn't do well at the box office. 

Rasha told the BBC Asian Network, “My mum, ever since I decided—or even before I started working on this film, because she somehow also knew that ‘she (Rasha) likes this, she’s going to do this’—used to make me sit and watch Rekha ji’s performances, Saroj ji’s performances, and even Sadhana ji’s performances. She would break it down for me and say, ‘Okay, see her expression here—this is a happy expression, but see how she’s done it. See her eyes, see her lips.’”

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